In Derrida’s essays on painting, colour appears to be the most decisive attribute. Two features characterize painting: in its materiality, each colour is singular in its place. In the painting, colours are attached to a specific ground each time in a unique, inimitable way. Colour arrives from anywhere and has no real origin. Please read my book on Omar Khayyam and its on Amazon.com with my 19 other published books.
I worked hard to implement this idea —
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